Imagine, if you will, if Nine Inch Nail "Closer" and TR/ST "Colossal" were somehow able to have propogage and have a child, because if that were possible, it's very likely that child would be Mareux "Gopnik."
I mean, let's face it, who is he fooling with that opening beat that sounds exactly like the opening of "Closer?" Then SURPRISE! at about 18-19 seconds in he drops some eerie synths to let you know that this is not the song that you thought it was.
But you know what, fuck it, it's all good, because this song is the perfect amount of slithering darkness that I love so very much. I've listened to it several times already today, leaving it on repeat as I write this up.
Why?
Because it's fucking good.
Open yourself up to the idea of new music. Every once it will surprise and delight you in the most wonderful ways.
Happy Monday! Enjoy!
Updated (04.24.26): since NIN/Boys Noize have since released Nine Inch Noize I have updated this post with the official version of the track below. At 30+ years old I think we can all agree that "Closer" was a hit that was about as perfect as it could have been, and has since become a classic. But ever since I saw NIN in Detroit, and even before, thanks to YouTube, I have been obsessed with this remix of the track. I thought maybe that would fade, but here we are weeks later and I am still impressed with not only the audacity to rework such a well-known, iconic song, but I'm equally astounding as to how well it works. And now, with the Coachella lineup announced (see above as well), it's obvious that this NIN/Boys Noize collaboration is going to continue as Nine Inch Noize. Personally, I love it, and am hopeful to get an official release of this version so I can buy it and listen to it to my heart's content. Welcome to Monday! Enjoy!

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