Skip to main content

Bob Vylan "We Live Here"

The existence of disruptive voices is important for music and art, and Bob Vylan are definitely that.

Maybe you'd heard of them recently due to their appearance at Glastonbury and their controversial set. Yes, they said something that may be conservatively called "aggressive" and perhaps even "inflammatory," but I wouldn't call it antisemitic. To that point:

We are not for the death of Jews, Arabs or any other race or group of people. We are for the dismantling of a violent military machine. A machine whose own soldiers were told to use "unnecessary lethal force" against innocent civilians waiting for aid. A machine that has destroyed much of Gaza. 
- Bob Vylan on Instragram

Me, I've been around long enough to remember another controversial band called NWA releasesed "Fuck Tha Police" almost 40 years ago. That song was met with the same sort of acrimony at the time, but so were Elvis's hips, and the Beatles' mop tops.

Music and art should be controversial.

I first discovered Bob Vylan three or four years ago and instantly fell in love with their tumultuous fusion of punk, rap, and metal. They caught my attention then and they catch it now.

This is the first song of theirs I fell in love with. Check it out; it's important to listen to challenging voices.


 

Comments

Popular posts from this blog

Nine Inch Nails "Closer" (B Stage Remix w/Boys Noize)

At 30+ years old I think we can all agree that "Closer" was a hit that was about as perfect as it could have been, and has since become a classic.  But ever since I saw NIN in Detroit, and even before, thanks to YouTube, I have been obsessed with this remix of the track. I thought maybe that would fade, but here we are weeks later and I am still impressed with not only the audacity to rework such a well-known, iconic song, but I'm equally astounding as to how well it works. And now, with the Coachella lineup announced  (see above as well), it's obvious that this NIN/Boys Noize collaboration is going to continue as Nine Inch Noize. Personally, I love it, and am hopeful to get an official release of this version so I can buy it and listen to it to my heart's content. Welcome to Monday! Enjoy!

Boys Noize feat. Rico Nasty "Girl Crush"

  I saw Nine Inch Nails for what I believe is my fifth time on Friday, and Boys Noize was not only the opening act, he was also on the "B Stage" playing with Trent/Atticus for four songs in the middle of the set, delivering a remixed/retooled version of "Closer" that I absolutely love. You can check out that part of the set below (starting with "Vessel" and moving into "Closer"): While all of that is certainly impressive, Boys Noize is no slouch when it comes to his own music. If I am being completely honest, I was torn as to which track of his I should post here, either "Close" or "Girl Crush," but as I listened to them both, man, it was a hard decision because they are both so good, but I had to go with my heart. That Gesaffelstein-esque, synth bassline just appeals to me in a way that is difficult to put into words, so I won't. I'll let Boys Noize's music speak for itself. Enjoy! Happy Monday! +/- by Boys Noize

Cigarettes After Sex "Keep On Loving You"

  Like a hazy, lush, cannibis-fueled haze, Cigarettes After Sex have put a new spin on REO Speedwagon's "Keep On Loving You," and I'm here for it. Listen, I appreciate a good cover, but I do not want to hear another artist try to recreate a song almost note-for-note like the original, especially if the latter was a hit. I want to hear a different take, an alternative approach to a song that I already know. Perhaps the most powerful example of this is what Johnny Cash did with NIN's "Hurt."  I'm not saying that the key to a good cover is to slow things down, sure, sometimes that is true, but the important aspect is to bring something new to the song, make the audience consider it from another perspective, and that's exactly what Cigarettes After Sex did here. Happy Monday! Affection by Cigarettes After Sex